Gear Live Comic Book News: Articles Tagged Scott Mccloud
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The Future Of Comics: Infinite Canvas
Posted by Kris Madden Categories: Editorials, Reviews, Site Announcements, Site Features, Independent,
February 2005: Scott McCloud gave a speech at TED regarding what he saw as a possible future for the medium of comics, and called it “infinite canvas”. He pointed out that if comic book artists viewed the computer as a window into space then panels could be arranged in more dynamic ways. And not only dynamic, but artists would have an endless number of variations for their panel compositions.The narrative’s movement would not be constrained to the dimensions of paper, but instead would be free to move in anyway needed to best tell the story. McCloud gives two examples of this in his speech of this movement and ends with a plea for the expansion of comic books in this format.
February 2009: Microsoft Labs developer Ian Gilman took the idea and ran with it. He created a sequential-art viewing platform, which provides users with the ability to create exactly what Scott McCloud spoke about in his 2005 TED talk. The platform, naturally titled “Infinite Canvas”, is in beta testing right now. You can read about its development on his blog.
You can also play around with it and read other comics users have submitted, including artists like “Neil Gaiman and, of course, Scott McCloud.
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Q&A: Dean Mullaney on Noel Sickles, Milton Caniff and Eclipse Comics
Posted by Tom Mason Categories: Interviews, IDW Publishing,
Dean Mullaney is one of the true pioneers of comic book publishing and, I confess, an old friend. He launched Eclipse Comics, one of the first comic book companies that specialized in not only giving creators a refuge from the corporate underwear heroes at DC and Marvel, but also in giving them ownership of their creations. Eclipse folded back in the early ‘90s and Dean disappeared into non-comics pursuits (as everyone in comics knows, once you leave the industry for something else, you disappear).
Now Dean’s back at the helm of the Library of American Comics, a series of classy comic strip reprint hardcovers he’s designing and editing for IDW. In his first year back, he won the Eisner Award for “Best Archival Collection” for his collection of Milton Caniff’s Terry And the Pirates. I caught up with him at the end of last year and asked him to spill about my favorite book of his, “Scorchy Smith And The Art of Noel Sickles.” Naturally, I strayed off-topic, too.
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